Bach Bibliography
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Author : Neumann, Frederick
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TypeListAuthorTitle [further info]SeriesVolNoYearPagesStatus
[]
1. Neumann, FrederickAn Answer to Donington's Critique. StudMcol 58 1982 55-58
2. Neumann, FrederickA New Look at Bach's Ornamentation. StudMcol 58 1982 197-215, 304-305
3. Neumann, FrederickA New Look at Bach's Ornamentation. MLetters 46 1, 2 Jan; Apr 1965 4-15; 126-133
4. Neumann, FrederickBach: Progressive or Conservative and the Authorship of the Goldberg Aria. [ce]BaroqueComposers 2011 445-458
5. Neumann, FrederickBach: Progressive or Conservative and the Authorship of the Goldberg Aria. StudMcol 108 1989 195-208
6. Neumann, FrederickBach: Progressive or Conservative and the Authorship of the Goldberg Aria. MQ 71 3 1985 281-294
7. Neumann, FrederickConflicting Binary and Ternary Rhythms: From the Theory of Mensural notation to the Music of J. S. Bach. StudMcol 108 1989 35-64
8. Neumann, FrederickCouperin and the Downbeat Doctrine for Appoggiaturas. StudMcol 58 1982 227-241, 306-309
9. Neumann, FrederickCouperin and the Downbeat Doctrine for Appoggiaturas. ActaMcol 41 1-2 Jan-Jun 1969 71-85
10. Neumann, FrederickDonington's 'A Performer's Guide to Baroque Music' -- A Review. StudMcol 58 1982 11-15, 274
11. Neumann, FrederickEssays in Performance Practice. StudMcol 58 1982 xii, 321p
12. Neumann, FrederickExternal Evidence and Uneven Notes. StudMcol 58 1982 59-72, 285-288
13. Neumann, FrederickExternal Evidence and Uneven Notes. MQ 52 4 Oct 1966 448-464
14. Neumann, FrederickFacts and Fiction about Overdotting. MQ 63 2 Apr 1977 155-185
15. Neumann, FrederickFacts and Fiction about Overdotting (FN3). StudMcol 58 1982 111-135, 291-294
16. Neumann, FrederickGraham Pont's 'Paradigm of Inconsistency' and the Interpretation of Handel's Overtures. StudMcol 108 1989 77-84
17. Neumann, FrederickInterpretation Problems of Ornament Symbols and Two Recent Case Histories: Hans Klotz on Bach, Faye Ferguson on Mozart. StudMcol 108 1989 121-153
18. Neumann, FrederickInterpretation Problems of Ornament Symbols and Two Recent Case Histories: Hans Klotz on Bach, Faye Ferguson on Mozart. PerformPractReview 1 1 Spring-Fall 1988 71-106
19. Neumann, FrederickLa note pointée et la soi-disant 'manière française'. RevueMcol 51 1 1965 66-92
20. Neumann, FrederickMisconceptions About the French Trill in the 17th and 18th Centuries. StudMcol 58 1982 183-196, 300-304
21. Neumann, FrederickMisconceptions about the French Trill in the 17th and 18th Centuries. MQ 50 2 Apr 1964 188-206
22. Neumann, FrederickNew Essays on Performance Practice. StudMcol 108 1989 x, 257p
23. Neumann, FrederickNotes Inégales for Bach, Overdotting for Everybody? A Commentary on an Attempt to Revive Dolmetsch's 'Rhythmic Alterations'. HistPerformance 7 1 1994 13-26
24. Neumann, FrederickNotes on Bach and Handel Sonatas. AmerStringTeacher 32 3 Summer 1982 26-27
25. Neumann, FrederickNotes on 'Melodic' and 'Harmonic' Ornaments. MReview 29 4 1968 249-256
26. Neumann, FrederickNotes on 'Melodic' and 'Harmonic' Ornaments. StudMcol 58 1982 217-225, 305-306
27. Neumann, FrederickNotes on the Violin Sonatas of Bach and Handel. StudMcol 108 1989 221-225
28. Neumann, FrederickOnce more: the 'French overture style'. EarlyM 7 1 Jan 1979 39-43, 45
29. Neumann, FrederickOnce More: The 'French Overture Style' (FN4). StudMcol 58 1982 137-150, 295
30. Neumann, FrederickOrnament and Structure. StudMcol 58 1982 243-250, 309-310
31. Neumann, FrederickOrnament and Structure. MQ 56 2 Apr 1970 153-161
32. Neumann, FrederickOrnamentation in Baroque and Post-Baroque Music with Special Emphasis on J. S. Bach. 1978 630p
33. Neumann, FrederickProblems of Interpretation in the Music of Bach: I. The Pitfalls of Historical Sources. AmerMTeacher 12 5 May-Jun 1963 20-21
34. Neumann, FrederickProblems of Interpretation in the Music of Bach, Part II. AmerMTeacher 13 2 Nov-Dec 1963
35. Neumann, FrederickRhythm in the Two Versions of Bach's French Overture, BWV 831 (FN2). StudMcol 58 1982 99-110, 289-291
36. Neumann, FrederickSome Controversial Aspects of the Authenticity School. StudMcol 108 1989 17-31
37. Neumann, FrederickSome Performance Problems of Bach's Unaccompanied Violin and Cello Works. FestschriftSer 13 1994 19-46
38. Neumann, FrederickSome Performance Problems of Bach's Unaccompanied Violin and Cello Works. [ce]BaroqueComposers 2011 529-558
39. Neumann, FrederickTadashii Soshokuon Soho. 1992 414p
40. Neumann, FrederickThe dotted note and the so-called French style. EarlyM 5 3 Jul 1977 310-324
41. Neumann, FrederickThe Dotted Note and the So-Called French Style (FN1) StudMcol 58 1982 73-98, 288-289
42. Neumann, FrederickThe French 'Inégales', Quantz, and Bach. StudMcol 58 1982 17-54, 274-285
43. Neumann, FrederickThe French 'Inégeles', Quantz, and Bach. JAMSoc 18 3 Autumn 1965 313-358
44. Neumann, FrederickThe 'Notes Inégales' Revisited. StudMcol 108 1989 65-76
45. Neumann, FrederickThe Overdotting Syndrome: Anatomy of a Delusion. MQ 67 3 Jul 1981 305-347
46. Neumann, FrederickThe Overdotting Syndrome: Anatomy of a Delusion (FN5). StudMcol 58 1982 151-182, 296-300
47. Neumann, FrederickThe Question of Rhythm in the Two Versions of Bach's French Ouverture, BWV 831. [fs]Mendel 1974 183-194
48. Neumann, FrederickThe Rhythm in 'Behold the Lamb of God'. AmerChoralReview 28 4 Oct 1986 18-22
49. Neumann, FrederickThe Rise of the Early Music Movement. StudMcol 108 1989 3-16
50. Neumann, FrederickThe Use of Baroque Treatises on Musical Performance. StudMcol 58 1982 1-9, 173-174
51. Neumann, FrederickThe Use of Baroque Treatises on Musical Performance. MLetters 48 4 Oct 1967 315-324
52. Neumann, FrederickUna nueva aproximación a la ornamentación de Bach. Quodlibet 2; 3 1995 19-33; 19-28

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